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“The crudity and whimsey of McFarlin’s figures are disarming covers for a sophistication that shows itself especially in a keen eye for stance, gesture, and posture; McFarlin does wonders with a lean into a microphone, a hand on a guitar fret, an upraised arm, the lift of a leg, giving his people both movement and individuality. And there is a gentleness to McFarlin’s figures that transcends satire of caricature; they become almost definitive portraits of types.”

Thomas Albright, San Francisco Chronicle, Oct. 9, 1968

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